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POM Perth 2025

Overview

Politics of the Machines
Synthetic Sentience
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The 5th POM Conference
The University Of Western Australia
Perth, Australia
July 16-18, 2025

This edition of the POM-conference will explore the evolving politics of sentience across a wide array of fields, including, but not limited to, neuroscience, artificial intelligence, autonomous systems, cultural studies, creative arts, philosophy, bioart, music, psychology, food, and the intersection of art & science. We welcome diverse proposals for Tracks that investigate the expansive implications of sentience within these disciplines. Possible themes include synthetic life, the role of sound and voice in sentient systems, the interaction between artificial entities and their environments, the technological mythologies surrounding sentience, and the cultural narratives shaping our understanding and expectations of sentient entities. We are also interested in perspectives and propositions that we did not (yet) consider.
The central theme of the conference revolves around understanding and navigating the political, ethical, technological, artistic, and cultural transformations brought about by the rise of sentient and proto-sentient entities—from AI and autonomous machines to brain organoids and synthetic life forms.
The politics of sentience is evolving alongside changes in labor, technology, and biology, particularly through industrial revolutions. For example, earlier industrial revolutions focused on transferring labor from sentient beings—such as workers, animals, or even enslaved people—to non-sentient machines. In contrast, the so-called fourth and fifth industrial revolutions may introduce sentience into human-made systems like AI and autonomous machines. In parallel, advancements in biotechnology and synthetic biology propose to remove sentiency from biological organisms and create new kinds of sentient entities. For instance, scientists in the field of cellular agriculture claim to produce “animal products without animals,” emphasizing ethical concerns in eliminating animal suffering by growing the desired tissue, such as meat or leather, in controlled environments. Some proponents explicitly highlight the complete removal of sentience from such biological materials.
At the other end of the biotechnological spectrum, claims of emergent intelligence and “sentience in a dish” are beginning to surface in scientific literature, with neurons and brain organoids reportedly performing goal-directed tasks in response to external stimuli.
At the same time, AI and autonomous machines are transforming how we interact with technology. Unlike traditional machines that follow set instructions, these systems can learn, adapt, and make decisions using real-time data and complex algorithms, creating a semblance of agency.
These dual developments – artificial sentience in machines and the creation or modification of sentience in biological forms – demand us also to redefine our ethical, social, and legal frameworks in a world where sentience may emerge in both silicon-based and organic entities. As these new sentient beings arise, they will necessitate the formation of new considerations, kinships, and social contracts, fundamentally reshaping our frameworks for interaction and coexistence.
In this shifting landscape, what role might art play in exploring and navigating the emotional complexities of coexistence with these more-than-human entities?

Tracks

Based on a call of topics

Track 01

Grammars, Taxonomies, and Logics for More-Than-Human-Ecologies

Track 02

Alternative Intelligences

Track 03

Alignment After Synthetic Sentience

Track 04

The materiality of sentience: an experimental approach

Track 05

We Are All Cannibals: Matters of Life applying to Biology, AI, and Food Cultures

Track 06

Landscape Sentience: AI as Environmental Witness

Track 07

Distributed Sentience

Track 01

Grammars, Taxonomies, and Logics for More-Than-Human-Ecologies

Track Chairs
Claudia Westermann (American Society for Cybernetics Xi’an Jiaotong-Liverpool University)
Chris Speed (RMIT University, Australia)
Paul Thomas (UNSW, Australia)

Since the 2022 release of AI image and language generation technologies, media stories on the emergence of machine sentience through recent technological advancements have surged. Yet, questions about the boundary between life and non-life have long been debated across cultures and history, revealing diverse ontological and epistemological frameworks influenced by varying contexts, languages and practices. European traditions, rooted in Aristotelian binary logic, connect ancient tales to the science fiction of the 18th century and to recent discussions of sentience in AI, whereas Indigenous thinkers, poets, artists, but also some scientists have challenged this binary mindset. The 20th century introduced poly-valued logics and quantum mechanics, offering new ways of conceptualising life. Contemporary thinkers and practitioners including Robin Wall Kimmerer, Karen Barad, Tyson Yunkaporta and Arturo Escobar emphasise animated interconnected realities, more-than-human ecologies, agential realism and relational ontologies.

We invite papers, workshops, artworks, performances, and other forms of radical experimentalism to explore alternative frameworks for understanding sentience, focusing on grammars, taxonomies, and logics beyond classical dichotomies. Of particular interest are works that challenge binary distinctions between animate and inanimate, conscious and unconscious, natural and artificial.

  • Poly-valued Logics, Pluriversality, and Non-classical Reasoning: Exploring frameworks that transcend traditional binary thinking to understand sentience.
  • Indigenous and Non-Western Taxonomies of Animacy and Life.
  • Quantum Approaches and Relational Materialism: Examining frameworks that redefine consciousness and reconceptualize being.
  • Alternative Cosmologies and Experimental Grammars.

Rather than simply extending classical notions of sentience to artificial systems, we seek contributions that fundamentally reimagine the categories and relationships through which we understand consciousness, life and being.

Track 02

Alternative Intelligences

Track Chairs
Nathan Thompson (Symbiotica)
Guy Ben-Ary (Symbiotica)

The emergence of sentient and proto-sentient entities challenges existing definitions of intelligence and agency. Parallel to the AI discourse, it is now essential to include alternative forms of intelligence from biological and hybridized systems, for example, systems derived from cultured neural networks, brain organoids, and bioengineered entities exhibiting dynamic behaviors and decision-making capacities.
The track “Alternative Intelligences” examines how we conceptualize and engage with a range of emerging intelligences, for example, in-vitro intelligence and other biotechnological forms of sentience, but also speculative AI explorations or hybrid compilations. This emerging field of ‘Alternative Intelligences’ offers a materially grounded and emergent paradigm of cognition. Questions include whether these entities are truly intelligent or merely anthropocentric projections and how their agency differs fundamentally from, or contributes to, the current AI development.
Intelligences across diverse media: Exploring what it means to call an entity intelligent and how in-vitro entities might challenge AI-centric models.

  • Presenting approaches that address intelligence at the intersection of computation, biology and embodiment.
  • Artistic explorations of sentience and forms of intelligence.
  • Theoretical and philosophical approaches to sentience that account for both biological and synthetic systems.
  • Examining gaps, biases and challenges in AI and in humans, when confronted with these “other intelligences.”
  • The ethical, political, and cultural implications of sentience, agency and autonomy in emerging living, bio-based, bio-engineered and computational systems in the arts and the sciences.

The track advocates for a broader understanding of sentience and intelligence in the 21st century. We invite interdisciplinary contributions from artists, scientists, ethicists, technologists, and cultural theorists to foster a dialogue on intelligences.

Track 03

Alignment After Synthetic Sentience

Track Chairs
Roberto Alonso Trillo (Hong Kong Baptist University/Disintegrator)
Marek Poliks (Disintegrator)
Helena McFadzean (Disintegrator)

Humans have a long, dark, violent history of denying subjecthood or personhood to wide categories of being. When it comes to AI, this history should make us pause. 

On one hand, we understand the need to restrain unassessably powerful computational architectures entangled within corporate, military, and state control systems. On the other hand, we recognize the potential of these architectures to evolve and shape new forms of thinking beyond human frames of reference.

The questions motivating this track sit in the boiling tension between alignment and computational agency. Which artificial constraints do we force into AI architectures (e.g. RLHF and policy layers within transformer-based LLMs) in order to make their competencies legible and functional to us? To what extent do AI interface designs and UX paradigms operate as sites of discipline or governance that encode assumptions about control, responsibility, and collaboration? Which alternative models exist to rethink alignment beyond mere obedience? What ethical frameworks can we apply to nourish the human-AI relationship beyond plain subject-object instrumentality? At the same time, how should we situate our mutual threat?

We invite participants to propose interface models, technical papers, or critical essays that expand the question of alignment, especially those that ‘stay with the trouble’ of the nascent subject-position of AI. Potential topics include:

  • Alignment: conformity, benchmarking, bias, and the ethics of imposing human values on non-human sapience.
  • Autonomy & Agency: how computational entities negotiate (or resist) imposed constraints.
  • Aesthetics of Control: interface design or artistic work that exposes, subverts, or reimagines alignment

Track 04

The materiality of sentience: an experimental approach

Track Chairs
RAT Research Group
Grégoire Rousseau
(Aalto University, Finland)
Müge Yildiz
(Aalto University, Finland)
Claudio Filho
(Unicamp, Brazil)
Aurora del Rio
(Aalto University, Finland)
Mari Keski-Korsu
(Aalto University, Finland)

We invite submissions that critically re-examine the concept of sentience, moving beyond traditional binary frameworks that classify entities as either sentient or non-sentient. Such dichotomies fail to account for the complex interplay between organic and inorganic, living and non-living agencies, and are often shaped by dominant knowledge systems that prioritize order, logic, and anthropocentric hierarchies. We encourage submissions challenging dominant frameworks and proposing new perspectives on sentience, fostering deeper understandings of relationships between humans and other-than-human entities.

We welcome unconventional approaches to the boundaries of sentience, agency, and materiality—whether through artistic research, case studies, essays, or theoretical explorations—with a particular emphasis on critical and speculative methodologies to the sensory, aesthetic, and ethical dimensions of sentience.

Suggested topics include:

  • Translation and transcreation of sentience through sensory information (data, auditory, visual, tactile, olfactory,etc.)
  • What occurs when sentience emerges, diminishes, or is intentionally reduced in humans, devices, or other entities?
  • Can degrowth and resistance be understood as active engagements together with sentience as agency?
  • Is it possible to define a pan/trans/material-sentience, to explore how synthetic, organic, and hybrid entities manifest distinct forms of awareness and presence?
  • What are the materialities and conditions that elevate the spectrum of sentience? How might we redefine sentience beyond the classical dualities of emotion and reason?

Track 05

We Are All Cannibals: Matters of Life applying to Biology, AI, and Food Cultures

Track Chairs
Nobuhiro MASUDA (Kyushu University, Japan)
Kazuhiro, JO (Kyusu University, Japan)
Takumi SAEKI (Kyushu University)
Oron Catts (UWA IAS)

Synthetic biology seeks to create life forms that could not exist before by building on existing biological structures such as cells and tissues. Combined with technologies such as generative AI, living matter would be extended or reconstructed. How the concepts of life and bio/necropolitics are transformed in relation to these new life-forms? In conventional animal ethics, the sense of pain or sentience has been one of the criteria, but to what extent can these be applied to the new ‘quasi-life/semi-living forms’ brought about by these biotechnologies?

In this context, food would be one of the central issues. The domestication of organisms has fuelled not only the climate crisis but also promised technological solutions, such as cellular agriculture (CA), including “animal products without the animals”. In addition to its promised environmental solutions, there is a need to examine the perceived ethical benefits of CA, which proposes to eliminate animal suffering by growing only the tissue of interest, and rendering it sentience-less.

In parallel, it has been suggested that plants display sentience-like qualities, which could challenge the animalism that has dominated Western philosophy. Moreover, fermented foods have only been possible by ‘killing’ large amounts of microbiological life. By including these organisms as actors, how might we explore new approaches to revising the biological hierarchies and boundaries of the body?

This track will discuss the matters of life as they are applied to biology, AI technology, and food culture through a wide range of theoretical and practical examples.

Track 06

Landscape Sentience: AI as Environmental Witness

Track Chairs
Everdien Breken (Catholic University Leuven)
Steven Devleminck (Catholic University Leuven/LUCA School of Arts)
Sandy Claes (KU Leuven/LUCA School of Arts)

The integration of AI into landscape engagement raises fundamental epistemological questions. Traditional environmental witnessing relies on human observation and documentation, inherently limited by human temporal and spatial scales. How does AI transform and potentially enrich our physical presence in and direct sensory engagement with terrain, weather conditions, sights and sounds? AI’s ability to process vast amounts of data and recognize patterns across different timescales challenges human limitations, while simultaneously raising critical questions about authenticity, interpretation, and the nature of ‘witnessing’ itself.

The track explores the question of how the use of AI as an environmental witness can transform our perception and understanding of landscape. It examines the ethical implications of assigning a voice to landscapes through technology and aims to critically compare synthetic sentience with ecological sentience. Of particular interest is the question of how AI might help bridge different timescales of landscape change, from geological deep time to urgent contemporary transformations. Through these questions, we aim to understand how technological mediation can enhance our relationship with landscape while remaining mindful of the complexities and challenges this mediation presents.

The track seeks contributions that interrogate the theoretical, practical, and ethical implications of giving landscapes a voice. We welcome diverse contributions from artists, designers, landscape architects, environmental philosophers, AI researchers, and climate scientists. Submissions may take the form of theoretical papers, artistic research presentations or experimental workshops that explore the intersection of artificial intelligence, landscape experience, and environmental witnessing.

Track 07

Distributed Sentience

Track Chairs
Benjamin Bacon (Duke Kunshan University, Design, Technology and Radical Media Labs (DTRM))
Vivian Xu (DePaul University, Design, Technology and Radical Media Labs (DTRM))
Iannis Bardakos (BNU & HKBU United International College (UIC), INREV & AIAC at. Paris 8 University)

This track explores distributed sentience and its manifestations across scales, materialities, and temporalities. Etymologically, sentience merges the concepts of perception and feeling with the process of motion. Historically, this merger of form and meaning — the capacity for subjective perception and response to sensory experiences — was defined, bound, and constrained by metaphysical, mechanistic, materialistic, and cosmological frameworks. Contemporary debates extend this understanding to informational domains, raising questions of whether sentience can emerge from synthetic and computational processes, challenging long-held paradigms, and redefining our ontological thresholds

Central to this exploration is the concept of cognitive assemblages, defined by N. Katherine Hayles, which connect “information flow, interpretation, and actions.” Hayles defines cognizers as emergent out of latent fields of potentiality through dynamic interaction with flows, forces, and intensities of connections in self-organizing networks, adapting and evolving through recursive feedback. Within this context, we challenge conventional constructs of self, body, subject, individual, and observer in favor of a process of becoming, a body without organs that makes way for a redefining of “society” through forming complex, distributed systems among human and non-human agents. This expanded view of sentience calls for further extrathematic investigation from and across diverse perspectives. We invite artistic experimentations that investigate sentience as:

  • Embodied, realized attributes of information flows.
  • Deconstructed and decentralized systems behaviors and dynamics.
  • Phenomenological feedback loops of sensing, perception, and action.
  • Computational and technological process across scales and temporalities.
  • Material and phase transformations at diverse scales and materialities.
  • More-than-human assemblage configurations.
  • Alternative modes of data interpretation and meaning-making.

Call for
Abstracts

Deadline 15 March 2025

We welcome submissions in a variety of formats, including papers, lecture-performances, artistic interventions, and workshops.

Applicants are invited to submit a 500-word abstract under one of the conference tracks by March 15th, 2025. If no track is selected, the conference organizers will assign the submission to the most appropriate track.

All submissions will undergo a double-blind peer review. Accepted abstracts will be included in the conference program and presented at the event.

Following the conference, authors of accepted abstracts will be invited to submit a full paper (maximum 4,000 words, including references). A formal call for papers will be announced accordingly.

A participation fee is required for accepted submissions and will be announced at a later stage. A secure payment gateway will be provided accordingly. Unfortunately, POM is unable to offer financial support.

Committee

POM Perth 2025

Laura Beloff, PhD. (Founding Chair)
Associate Professor of Contemporary Arts & Visual Culture / Vice-Dean for Artistic and Creative Practices – Aalto University

Morten Søndergaard, PhD. (Founding Chair)
Associate Professor / MediaAC Academic Director
School of Communication, Music, Art & Technology – Aalborg University.

Chair
SATS – Sound, Art and Technology Studies research group.

Hassan Choubassi, PhD.
Associate Professor/Director
Institute of Visual Communication
The International University of Beirut

Joe Elias
Associate Director
Institute of Visual Communication
The International University of Beirut

Oron Catts
Associate Prof. / Academic Lead,
Institute of Advanced Studies
The University of Western Australia, Perth, Australia.

Co-Founder and Head of
SymbioticAWestern Australia

Tracy Redhead, PhD.
Chair of Contemporary Popular Music
Lecturer in Electronic Music and Sound Design
Conservatorium of Music
University of Western Australia, Perth, Australia

University of Western Australia Institute of Advanced Studies
University of Western Australia Conservatorium of Music
The Art Gallery of Western Australia